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Deux impressions for flute and piano (1987, rev. 2013, 4')

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courbe 2 for viola and electronics (1993, rev. 2001, 8'30'')

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sexe-tuor for oboe and playback sounds (1995, 1'30'')

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sexe-tuor for piccolo and playback sounds (1995/2000, 1'30'')

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le sexe du noyé for oboe and resonance electronics (1995, 15')  > CD

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« tellement froid que » (géorgiques I) for bass flute, electronics and scene (1995-96, 20'), after the 2nd chapter of Claude Simon's novel

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« ...a coperto per... » for clarinet (1998/99, 10')

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« how many parts of it – the one, – and [how many] [the] other » no. 1 « the one »  for viola, flute (also alto flute in G and piccolo) and electronics (2001-2002, 13')

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fr.gm.nts - « .o. .ay » 8 choreographic games for viola, flute (also alto flute in G and piccolo) and electronics (2002, 13')

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KKH for baritone saxophone, guitar and electronics (2006/07, 1.5')

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« ALMA » for oboe and cor anglais (2009, 4.5')

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« MALA » for lupophone and contraforte, 2009/2017, 4.5')

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« ALMA » for oboe and clarinet (2009/2023, 4.5')

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...RIST... “sound ribbon“ for violin, piano and electronic sounds (2019, 11'37'')

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... süsses Unheil ... for clarinet d'amore and live electronics ad lib. (2020-21, 8')   > CD

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« chant de lettres » after a poem by Charles Racine for organ (2022, 17')

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absences (« fragmenté ») String quartet no. 2 (1991-92, rev. 1997, 12')

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« courbes » - séquences for flute, viola and harp (1992-1993, 11'10'')

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« dolcificare a piacere » - « r.e.c. » for solo cello, english horn, female voice and piano (1997, 12')   > CD

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« comme si le froid » (géorgiques II) for baritone saxophone, timpani, piano and electronics (1998, 22'), after the 2nd chapter of Claude Simon's novel

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« une géométrie » (2005-07, 40')

after the triptych UNE GÉOMÉTRIE by Anne-Marie Albiach

I — « figurations de mémoire » study in synchronicity no. 2, original version for low wind quintet (2005-06, 14')

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I — « figurations de mémoire » study in synchronicity no. 2, version for reed quintet (2005-06/2017, 14')   > CD

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12 Minuteries for four flutes (2013/ rev. no. 9: 2017)

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wort – « Schatz ! » for speaking voice, bass flute, bass clarinet in Bb, viola, piano and electronics (2014-15)

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–d'un jour, ainsi, s'éclairant– for mezzo-soprano, alto flute in G, clarinet and bassoon, based on a text by Roger Lewinter (2017, 9')

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« lueur de lettres » based on poems by Charles Racine for soprano, trumpet in C and organ (2021, 10')

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« fragmenté » (épilogue) for solo clarinet (also bass clarinet), string quartet, oboe, horn, viola, harp, percussion and resonance electronics (1991-92, 18')

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« lolita », Scene for solo mezzo-soprano and 6 voices (1997, 2'18'')

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« fort and longtemps » for 2 solo alto flutes and 2 flute trios (picc/c/bass) (1999, 6'30'')

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« n'était le froid » (géorgiques III)Areas/spaces for low orchestra in four groups (2000-2001, 23'), after the novel by Claude Simon

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« monstrueuse vécut dans le cadre » la mémoire, Concerto for viola and large ensemble (2002-2004, 22') after « H II » lineares by Anne Marie Albiach

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« … y soufflera … », Passacaille tordue about a quatrain of Stéphane Mallarmé for soprano and orchestra (2014-15) (4 flutes, 4 trumpets, E-flat horn, trombone, euphonium and strings)

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Esquisse : « le froid » for marimba solo and 14 instruments (2016, 9') based on the eponymous text by Anne-Marie Albiach   > CD

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« sspd » / « sspd » saturé (2004, 4.5'), music for the choreography by Gabriel Hernández (tHEL danse) :

Le (!). uh ? Zovotrimaserovmeravmerouvian (dmzn !) ; se sont penchés dessus

les jeunes étoiles (2019)

Music for the ballet of the same name by Nathanja Huber

      Schwarzes LochElectronic music with alto flute, piano, glasses and voice (2'20”)

      SternengirlandeElectronic music with piccolo, wine glasses, breath and voice (1'31”)

      „Sternenkreis“ Electronic music with flutes and voice (51'')

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Sound ribbon ...RIST... (2020, 11'37'')

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neigeblanche (2022)

Music for the ballet of the same name by Nathanja Huber

      „eiswand" (2'44”)

      „weiss wie schnee“ (1'31”)

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