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Deux impressions for flute and piano (1987, rev. 2013, 4')

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courbe 2 for viola and electronics (1993, rev. 2001, 8'30'')

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sexe-tuor for oboe and playback sounds (1995, 1'30'')

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sexe-tuor for piccolo and playback sounds (1995/2000, 1'30'')

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le sexe du noyé for oboe and resonance electronics (1995, 15')  > CD

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« tellement froid que » (géorgiques I) for bass flute, electronics and scene (1995-96, 20'), after the 2nd chapter of Claude Simon's novel

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« ...a coperto per... » for clarinet (1998/99, 10')

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« how many parts of it – the one, – and [how many] [the] other » no. 1 « the one »  for viola, flute (also alto flute in G and piccolo) and electronics (2001-2002, 13')

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fr.gm.nts - « .o. .ay » 8 choreographic games for viola, flute (also alto flute in G and piccolo) and electronics (2002, 13')

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KKH for baritone saxophone, guitar and electronics (2006/07, 1.5')

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« ALMA » for oboe and cor anglais (2009, 4.5')

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« MALA » for lupophone and contraforte, 2009/2017, 4.5')

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« ALMA » for oboe and clarinet (2009/2023, 4.5')

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...RIST... “sound ribbon“ for violin, piano and electronic sounds (2019, 11'37'')

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... süsses Unheil ... for clarinet d'amore and live electronics ad lib. (2020-21, 8')   > CD

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« chant de lettres » after a poem by Charles Racine for organ (2022, 17')

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absences (« fragmenté ») String quartet no. 2 (1991-92, rev. 1997, 12')

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« courbes » - séquences for flute, viola and harp (1992-1993, 11'10'')

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« dolcificare a piacere » - « r.e.c. » for solo cello, english horn, female voice and piano (1997, 12')   > CD

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« comme si le froid » (géorgiques II) for baritone saxophone, timpani, piano and electronics (1998, 22'), after the 2nd chapter of Claude Simon's novel

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« une géométrie » (2005-07, 40')

after the triptych UNE GÉOMÉTRIE by Anne-Marie Albiach

I — « figurations de mémoire » study in synchronicity no. 2, original version for low wind quintet (2005-06, 14')

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I — « figurations de mémoire » study in synchronicity no. 2, version for reed quintet (2005-06/2017, 14')   > CD

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12 Minuteries for four flutes (2013/ rev. no. 9: 2017)

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wort – « Schatz ! » for speaking voice, bass flute, bass clarinet in Bb, viola, piano and electronics (2014-15)

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–d'un jour, ainsi, s'éclairant– for mezzo-soprano, alto flute in G, clarinet and bassoon, based on a text by Roger Lewinter (2017, 9')

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« lueur de lettres » based on poems by Charles Racine for soprano, trumpet in C and organ (2021, 10')

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« fragmenté » (épilogue) for solo clarinet (also bass clarinet), string quartet, oboe, horn, viola, harp, percussion and resonance electronics (1991-92, 18')

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« lolita », Scene for solo mezzo-soprano and 6 voices (1997, 2'18'')

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« fort and longtemps » for 2 solo alto flutes and 2 flute trios (picc/c/bass) (1999, 6'30'')

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« n'était le froid » (géorgiques III)Areas/spaces for low orchestra in four groups (2000-2001, 23'), after the novel by Claude Simon

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« monstrueuse vécut dans le cadre » la mémoire, Concerto for viola and large ensemble (2002-2004, 22') after « H II » lineares by Anne Marie Albiach

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« … y soufflera … », Passacaille tordue about a quatrain of Stéphane Mallarmé for soprano and orchestra (2014-15) (4 flutes, 4 trumpets, E-flat horn, trombone, euphonium and strings)

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Esquisse : « le froid » for marimba solo and 14 instruments (2016, 9') based on the eponymous text by Anne-Marie Albiach   > CD

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« sspd » / « sspd » saturé (2004, 4.5'), music for the choreography by Gabriel Hernández (tHEL danse) :

Le (!). uh ? Zovotrimaserovmeravmerouvian (dmzn !) ; se sont penchés dessus

les jeunes étoiles (2019)

Music for the ballet of the same name by Nathanja Huber

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      Schwarzes LochElectronic music with alto flute, piano, glasses and voice (2'20”)

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      SternengirlandeElectronic music with piccolo, wine glasses, breath and voice (1'31”)

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      „Sternenkreis“ Electronic music with flutes and voice (51'')

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Sound ribbon ...RIST... (2020, 11'37'')

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neigeblanche (2022)

Music for the ballet of the same name by Nathanja Huber

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      „eiswand" (2'44”)

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      „weiss wie schnee“ (1'31”)

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